Anfisa Korovina

HK Blocker™ is a display typeface inspired by the paste-up typography back in the 50s.

Anther Brush is a textured brush font, a contemporary approach to design, naturally handmade. It also has alternatives and ligatures that make your design more attractive.

Suitable for use in designs such as clothing, invitations, book tittles, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters and more.

Mailston is perfectly made to be applied especially in logos, and various other formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Feature:

• uppercase & lowercase letters
• numbers and punctuation marks
• multilingual support
• ligatures
• alternate characters
• PUA is encoded

This versatile script typeface includes many different alternatives for each lowercase letter. Make these fonts good in your Font Library. It's fun to use because every word can be changed according to your wishes.

Rostey is a beautiful calligraphic brush font, specially designed for a variety of designs today, 

very suitable for branding, logos, business cards, posters, invitations, greeting cards, news, 

product packaging, blog posters, all including personal charms etc.

Rajjah Familia - Blackletter font family

Blackletter (sometimes black letter), also known as Gothic script, Gothic minuscule, or Textura, was a script used throughout Western Europe from approximately 1150 until the 17th century.

Blackletter is currently widely used in modern creative design trends ranging from tattoo lettering, calligraphy, clothing brands, music, sports, labels and much more.

Rajjah Familia looks gothic but easy to read, neat and beautiful.

Comes with light, regular, medium and bold version.

Rajjah is the right choice for your next projects!

HK Blocker™ is a display typeface inspired by the paste-up typography back in the 50s.

Aristotelica Pro is the 2020 redesign of the rounded geometric sans designed by Cosimo Lorenzo Pancini and Andrea Tartarelli developing the original philosophy of one of the classic and best-selling Zetafonts typefaces, Arista by Francesco Canovaro.

Originally conceived as an exercise in restraint and simplicity, Aristotelica is typographic eulogy to the simple beauty of circular shapes, aptly named after the greek philosopher who pioneered formal logic.

It shows its strengths mostly in display uses and logo design, with a palette of moods ranging from the stark elegance of the uppercase hairline weights to the playful softness of the lowercase bold weights.

True to its universalist calling, it has however been developed in a variant text version that applies slight corrections to design and metrics to allow for better legibility in long body copy.

In Aristotelica Pro both the display and the text subfamilies have been complemented with a condensed version, though especially for mobile screens and other situations where space-saving is a concern.

Also the original language coverage (extended latin, greek and cyrillic) has been expanded with the inclusion of arabic language glyphs, bringing the typeface to a total of over 1100 glyphs and 200 languages covered.

The family is further enriched by the inclusion of Aristotelica Icons, a set of matching variable-width monoline icons that can be used to faultlessly match the typeface line width.

OpenType features includes stylistic alternates, old style and lining figures and small caps.